Alexander Payne has an affinity for bringing complex literary characters to life in situations of conflict, compromise and absurdity. This was best exemplified in 2004′s Sideways, a snarky little gem that effectively walked the line between comedy and tragedy. His first film in seven years, The Descendants reflects Payne’s clever, if slightly awkward perspective on life, crafting an inspiring and comical story around a rather grim premise.
Posted by mlparsons 
